Studies in Media

While discussing possible collaboration and association with representatives from a University from UK today, I was speaking on the peculiarity of the media universe in India. This was also a subject for which I was invited to speak on in a conference in Sweden. A majority of the Indian population has very quickly adopted the transmedial nature of content creation and distribution. We are reorienting ourselves to an environment of transmedial communication, which is redefining our cultural contexts to an extent that we are reinventing the way we communicate with each other.  I can cite a latest example - my driver.  To avoid reaching a meeting or a conference stressed out by driving in heavy Mumbai traffic, I decided to employ a driver. At 30 years of age, he is a representative of India's majority population. This month he purchased a 7 inch mobile phone and showing it off to me, he remarked, "Now I too can make and send video messages." Within days, he has mastere

I was working for a pharmaceutical company and posted as Manager in Ahmedabad for two years - 1989 to 1991. Those days were quite turbulent, one, on my professional front, because I was trying to make inroads into a very tough pharmaceutical market, and second on the political front. Those days were of unrest, and riots during the time of Lalkrishna Advani's Ram Rath Yatra. I saw the horrors of mindless killing, and mob fury first-hand. During Diwali, rarely now, but I still wake up from deep sleep in the middle of the night thinking there is police firing going on somewhere. This was also a period of turmoil in the music industry. In July 1990, the film Aashiqui was released and became a super duper hit. But the credit for its success goes to its music, which was released in 1989 by Gulshan Kumar. This is a story in itself. Coming from a humble background, Gulshan Kumar began his career in the music industry by producing cheap cassettes of music of older hit films. With no cl